top of page
THE VERNON SHOW
Film Criticism • Video Essays • Podcasts
Manhattan, NY
home: Welcome
HOW TO FRAME A STORY WATCH HERE
the visual narrative power of Goodbye Dragon Inn, directed by Tsai Ming-liang
home: Video
WHAT HAPPENED TO THE MOVIES? WATCH HERE
two friends take to a bar in the village to discuss the question: "what happened to the movies?"
home: Video
home: Blog Feed
home: HTML Embed
home: About Me
follow my daily movie-watching diary
WATCH HERE
An Audiovisual Essay comparing two of America's greatest writers, Walt Whitman & W.E.B. Du Bois
home: Video
Poker Face DP Steve Yedlin on Creating His Own Imaging Algorithm, Drawing From ’70s Influences, and Carving Out a Visual Niche for Himself
home: Image
Athena Cinematographer Matias Boucard on the Film’s Dazzling Opening Shot, Working With the Alexa 65, and Romain Gavras’ Urgent Directorial Style
home: Image
a review of the film Pure Grit (2021)
home: Image
The cinematic decisions made by the cast and crew of movies representing sixty years of Columbia’s people, places, and ideas reveal the myth of the University and its role in society.
home: Image
home: Image
home: Work
“The critic shouldn’t need to tear a work apart to demonstrate that he knows how it was put together. The important thing is to convey what is new and beautiful in the work, not how it was made — which is more or less implicit.”
Pauline Kael in Trash, Art, and The Movies
home: Quote
home: Contact
bottom of page