movie reviews + entertainment reporting
by Miles Stephenson
my taste in movies
I love the moody vérité style of Cassavetes, the minimalist noir of Jean-Pierre Melville, the epic scope of Lean, and that mix of post-60s hippie auteurs and film school movie brats that formed New Hollywood. For directors working today, I like Claire Denis, the Safdie Brothers, Paolo Sorrentino, Emma Seligman, David Cronenberg, Cristian Mungiu, Nicolas Winding Refn, Hong Sang-soo.
At Columbia I took up media studies and cultural criticism. Here I was exposed to the great 20th C. cultural critics: Susan Sontag, Pauline Kael, Paul Schrader, Jonathan Rosenbaum, Robert B. Ray. Although I disagree with many of their takes, Sontag’s "Against Interpretation" formalism and Kael’s rejection of sappy moralism and eye for creative "trash" became the bedrock of my critical lens for movies.
In 2022, I watched and reviewed a new movie every single day. I'm a writer and producer in TV now but log new movies + reviews often. The posts below fall into three categories: my quick takes, full film reviews, and essays. Read more on my Letterboxd: @msxviii










![the textbook approach of Gandhi (1982), Richard Attenborough [2/5]](https://static.wixstatic.com/media/55d865_1bf84f2cf4f84dfcb5c385f3f806da3d~mv2.webp/v1/fill/w_568,h_250,al_c,lg_1,q_30,blur_30,enc_avif,quality_auto/55d865_1bf84f2cf4f84dfcb5c385f3f806da3d~mv2.webp)
![the textbook approach of Gandhi (1982), Richard Attenborough [2/5]](https://static.wixstatic.com/media/55d865_1bf84f2cf4f84dfcb5c385f3f806da3d~mv2.webp/v1/fill/w_491,h_216,al_c,q_90,enc_avif,quality_auto/55d865_1bf84f2cf4f84dfcb5c385f3f806da3d~mv2.webp)
![the triumph of tech over art in Jurassic Punk (2022) [3.5/5 stars]](https://static.wixstatic.com/media/55d865_81454044c5dd477e8bff8a56c99e2fbe~mv2.png/v1/fill/w_251,h_250,fp_0.50_0.50,q_35,blur_30,enc_avif,quality_auto/55d865_81454044c5dd477e8bff8a56c99e2fbe~mv2.webp)
![the triumph of tech over art in Jurassic Punk (2022) [3.5/5 stars]](https://static.wixstatic.com/media/55d865_81454044c5dd477e8bff8a56c99e2fbe~mv2.png/v1/fill/w_492,h_491,fp_0.50_0.50,q_95,enc_avif,quality_auto/55d865_81454044c5dd477e8bff8a56c99e2fbe~mv2.webp)
![the wasteland texture of Escape from New York (1981), John Carpenter [4/5]](https://static.wixstatic.com/media/55d865_2e2d752af45c43c1940bf35b1fc8cb84~mv2.png/v1/fill/w_250,h_250,fp_0.50_0.50,q_35,blur_30,enc_avif,quality_auto/55d865_2e2d752af45c43c1940bf35b1fc8cb84~mv2.webp)
![the wasteland texture of Escape from New York (1981), John Carpenter [4/5]](https://static.wixstatic.com/media/55d865_2e2d752af45c43c1940bf35b1fc8cb84~mv2.png/v1/fill/w_491,h_491,fp_0.50_0.50,q_95,enc_avif,quality_auto/55d865_2e2d752af45c43c1940bf35b1fc8cb84~mv2.webp)
![Ronin (1998), John Frankenheimer [3/5]](https://static.wixstatic.com/media/55d865_f342fff863974a90b4c61fc1ad08baf0~mv2.png/v1/fill/w_251,h_250,fp_0.50_0.50,q_35,blur_30,enc_avif,quality_auto/55d865_f342fff863974a90b4c61fc1ad08baf0~mv2.webp)
![Ronin (1998), John Frankenheimer [3/5]](https://static.wixstatic.com/media/55d865_f342fff863974a90b4c61fc1ad08baf0~mv2.png/v1/fill/w_492,h_491,fp_0.50_0.50,q_95,enc_avif,quality_auto/55d865_f342fff863974a90b4c61fc1ad08baf0~mv2.webp)
![Goodbye, Dragon Inn (2003), Tsai Ming-liang [4/5]](https://static.wixstatic.com/media/55d865_72bd885aa8b6464e8a4693824839dc61~mv2.png/v1/fill/w_250,h_250,fp_0.50_0.50,q_35,blur_30,enc_avif,quality_auto/55d865_72bd885aa8b6464e8a4693824839dc61~mv2.webp)
![Goodbye, Dragon Inn (2003), Tsai Ming-liang [4/5]](https://static.wixstatic.com/media/55d865_72bd885aa8b6464e8a4693824839dc61~mv2.png/v1/fill/w_491,h_491,fp_0.50_0.50,q_95,enc_avif,quality_auto/55d865_72bd885aa8b6464e8a4693824839dc61~mv2.webp)


![Z (1969), Costa-Gavras [4.5/5]](https://static.wixstatic.com/media/55d865_b41a8a844fa34d22becfff849b9ece01~mv2.png/v1/fill/w_250,h_250,fp_0.50_0.50,q_35,blur_30,enc_avif,quality_auto/55d865_b41a8a844fa34d22becfff849b9ece01~mv2.webp)
![Z (1969), Costa-Gavras [4.5/5]](https://static.wixstatic.com/media/55d865_b41a8a844fa34d22becfff849b9ece01~mv2.png/v1/fill/w_491,h_491,fp_0.50_0.50,q_95,enc_avif,quality_auto/55d865_b41a8a844fa34d22becfff849b9ece01~mv2.webp)


![The Square (2017), Ruben Östlund [3/5]](https://static.wixstatic.com/media/55d865_2d3f4488328f4ab185aa88a8b036a872~mv2.png/v1/fill/w_250,h_250,fp_0.50_0.50,q_35,blur_30,enc_avif,quality_auto/55d865_2d3f4488328f4ab185aa88a8b036a872~mv2.webp)
![The Square (2017), Ruben Östlund [3/5]](https://static.wixstatic.com/media/55d865_2d3f4488328f4ab185aa88a8b036a872~mv2.png/v1/fill/w_491,h_491,fp_0.50_0.50,q_95,enc_avif,quality_auto/55d865_2d3f4488328f4ab185aa88a8b036a872~mv2.webp)
![R.M.N. (2022), directed by Cristian Mungiu [4/5] - HIFF](https://static.wixstatic.com/media/55d865_27f7aa9af28f4f6a8be782ea96ef5f50~mv2.png/v1/fill/w_251,h_250,fp_0.50_0.50,q_35,blur_30,enc_avif,quality_auto/55d865_27f7aa9af28f4f6a8be782ea96ef5f50~mv2.webp)
![R.M.N. (2022), directed by Cristian Mungiu [4/5] - HIFF](https://static.wixstatic.com/media/55d865_27f7aa9af28f4f6a8be782ea96ef5f50~mv2.png/v1/fill/w_492,h_491,fp_0.50_0.50,q_95,enc_avif,quality_auto/55d865_27f7aa9af28f4f6a8be782ea96ef5f50~mv2.webp)
![The Exiles (2022), Violet Columbus & Ben Klein [4/5] - HIFF](https://static.wixstatic.com/media/55d865_872339bc38244d2a9594bd50c79c1967~mv2.jpg/v1/fill/w_250,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/55d865_872339bc38244d2a9594bd50c79c1967~mv2.webp)
![The Exiles (2022), Violet Columbus & Ben Klein [4/5] - HIFF](https://static.wixstatic.com/media/55d865_872339bc38244d2a9594bd50c79c1967~mv2.jpg/v1/fill/w_491,h_491,fp_0.50_0.50,q_90,enc_avif,quality_auto/55d865_872339bc38244d2a9594bd50c79c1967~mv2.webp)
![Don't Worry Darling (2022), Olivia Wilde [2/5]](https://static.wixstatic.com/media/55d865_bcce4aa320f946bdb9321871f38206f1~mv2.jpeg/v1/fill/w_251,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/55d865_bcce4aa320f946bdb9321871f38206f1~mv2.webp)
![Don't Worry Darling (2022), Olivia Wilde [2/5]](https://static.wixstatic.com/media/55d865_bcce4aa320f946bdb9321871f38206f1~mv2.jpeg/v1/fill/w_492,h_491,fp_0.50_0.50,q_90,enc_avif,quality_auto/55d865_bcce4aa320f946bdb9321871f38206f1~mv2.webp)
![Barbarian (2022), Zach Cregger [4/5]](https://static.wixstatic.com/media/55d865_27aa71e4505a42668bca9603d2e5522e~mv2.png/v1/fill/w_250,h_250,fp_0.50_0.50,q_35,blur_30,enc_avif,quality_auto/55d865_27aa71e4505a42668bca9603d2e5522e~mv2.webp)
![Barbarian (2022), Zach Cregger [4/5]](https://static.wixstatic.com/media/55d865_27aa71e4505a42668bca9603d2e5522e~mv2.png/v1/fill/w_491,h_491,fp_0.50_0.50,q_95,enc_avif,quality_auto/55d865_27aa71e4505a42668bca9603d2e5522e~mv2.webp)
![Perfect Blue (1997), Satoshi Kon [4.5/5]](https://static.wixstatic.com/media/55d865_0653437b672b42899f71e112059711ac~mv2.png/v1/fill/w_251,h_250,fp_0.50_0.50,q_35,blur_30,enc_avif,quality_auto/55d865_0653437b672b42899f71e112059711ac~mv2.webp)
![Perfect Blue (1997), Satoshi Kon [4.5/5]](https://static.wixstatic.com/media/55d865_0653437b672b42899f71e112059711ac~mv2.png/v1/fill/w_492,h_491,fp_0.50_0.50,q_95,enc_avif,quality_auto/55d865_0653437b672b42899f71e112059711ac~mv2.webp)
![First Reformed (2017), Paul Schrader [3/5]](https://static.wixstatic.com/media/55d865_41e0fd1f5b7f484bb02b6c8c62316c52~mv2.png/v1/fill/w_250,h_250,fp_0.50_0.50,q_35,blur_30,enc_avif,quality_auto/55d865_41e0fd1f5b7f484bb02b6c8c62316c52~mv2.webp)
![First Reformed (2017), Paul Schrader [3/5]](https://static.wixstatic.com/media/55d865_41e0fd1f5b7f484bb02b6c8c62316c52~mv2.png/v1/fill/w_491,h_491,fp_0.50_0.50,q_95,enc_avif,quality_auto/55d865_41e0fd1f5b7f484bb02b6c8c62316c52~mv2.webp)