"What Happened To The Movies?"
my film criticism & entertainment reporting
As seen in... Cinema Retro, The Weekend Read by PREVO, Below The Line, The Columbia Spectator, The Michigan Daily, etc.
my taste in movies
I love the moody vérité style of Cassavetes, the minimalist noir of Jean-Pierre Melville, the epic scope of Lean, and that mix of post-60s hippie auteurs and film school movie brats that formed New Hollywood. For directors working today, I like Claire Denis, the Safdie Brothers, Paolo Sorrentino, Emma Seligman, David Cronenberg, Cristian Mungiu, Nicolas Winding Refn, Hong Sang-soo.
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At Columbia I took up media studies and cultural criticism. Here I was exposed to the great 20th C. cultural critics: Susan Sontag, Pauline Kael, Paul Schrader, Jonathan Rosenbaum, Robert B. Ray. Although I disagree with many of their takes, Sontag’s "Against Interpretation" formalism and Kael’s rejection of sappy moralism and eye for creative "trash" became the bedrock of my critical lens for movies.
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In 2022, I watched and reviewed a new movie every single day. I'm a writer and producer in TV now but log new movies + reviews often. The posts below fall into three categories: my quick takes, full film reviews, and essays. Read more on my Letterboxd: @msxviii





![Don't Worry Darling (2022), Olivia Wilde [2/5]](https://static.wixstatic.com/media/55d865_bcce4aa320f946bdb9321871f38206f1~mv2.jpeg/v1/fill/w_601,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/55d865_bcce4aa320f946bdb9321871f38206f1~mv2.webp)
![Don't Worry Darling (2022), Olivia Wilde [2/5]](https://static.wixstatic.com/media/55d865_bcce4aa320f946bdb9321871f38206f1~mv2.jpeg/v1/fill/w_940,h_391,fp_0.50_0.50,q_90,enc_avif,quality_auto/55d865_bcce4aa320f946bdb9321871f38206f1~mv2.webp)

![Barbarian (2022), Zach Cregger [4/5]](https://static.wixstatic.com/media/55d865_27aa71e4505a42668bca9603d2e5522e~mv2.png/v1/fill/w_572,h_250,fp_0.50_0.50,q_35,blur_30,enc_avif,quality_auto/55d865_27aa71e4505a42668bca9603d2e5522e~mv2.webp)
![Barbarian (2022), Zach Cregger [4/5]](https://static.wixstatic.com/media/55d865_27aa71e4505a42668bca9603d2e5522e~mv2.png/v1/fill/w_940,h_411,fp_0.50_0.50,q_95,enc_avif,quality_auto/55d865_27aa71e4505a42668bca9603d2e5522e~mv2.webp)
![Perfect Blue (1997), Satoshi Kon [4.5/5]](https://static.wixstatic.com/media/55d865_0653437b672b42899f71e112059711ac~mv2.png/v1/fill/w_572,h_250,fp_0.50_0.50,q_35,blur_30,enc_avif,quality_auto/55d865_0653437b672b42899f71e112059711ac~mv2.webp)
![Perfect Blue (1997), Satoshi Kon [4.5/5]](https://static.wixstatic.com/media/55d865_0653437b672b42899f71e112059711ac~mv2.png/v1/fill/w_940,h_411,fp_0.50_0.50,q_95,enc_avif,quality_auto/55d865_0653437b672b42899f71e112059711ac~mv2.webp)
![First Reformed (2017), Paul Schrader [3/5]](https://static.wixstatic.com/media/55d865_41e0fd1f5b7f484bb02b6c8c62316c52~mv2.png/v1/fill/w_572,h_250,fp_0.50_0.50,q_35,blur_30,enc_avif,quality_auto/55d865_41e0fd1f5b7f484bb02b6c8c62316c52~mv2.webp)
![First Reformed (2017), Paul Schrader [3/5]](https://static.wixstatic.com/media/55d865_41e0fd1f5b7f484bb02b6c8c62316c52~mv2.png/v1/fill/w_940,h_411,fp_0.50_0.50,q_95,enc_avif,quality_auto/55d865_41e0fd1f5b7f484bb02b6c8c62316c52~mv2.webp)
![Nope (2022), Jordan Peele [3.5/5]](https://static.wixstatic.com/media/55d865_4e67f84bd28d464d959834693659c2cd~mv2.png/v1/fill/w_572,h_250,fp_0.50_0.50,q_35,blur_30,enc_avif,quality_auto/55d865_4e67f84bd28d464d959834693659c2cd~mv2.webp)
![Nope (2022), Jordan Peele [3.5/5]](https://static.wixstatic.com/media/55d865_4e67f84bd28d464d959834693659c2cd~mv2.png/v1/fill/w_940,h_411,fp_0.50_0.50,q_95,enc_avif,quality_auto/55d865_4e67f84bd28d464d959834693659c2cd~mv2.webp)
![King of New York (1990), Abel Ferrara [4/5]](https://static.wixstatic.com/media/55d865_b06edbd32ab6442d82d24ff90fc34d8a~mv2.png/v1/fill/w_572,h_250,fp_0.50_0.50,q_35,blur_30,enc_avif,quality_auto/55d865_b06edbd32ab6442d82d24ff90fc34d8a~mv2.webp)
![King of New York (1990), Abel Ferrara [4/5]](https://static.wixstatic.com/media/55d865_b06edbd32ab6442d82d24ff90fc34d8a~mv2.png/v1/fill/w_940,h_411,fp_0.50_0.50,q_95,enc_avif,quality_auto/55d865_b06edbd32ab6442d82d24ff90fc34d8a~mv2.webp)
![Mad God (2021), Phil Tippett [3.5/5]](https://static.wixstatic.com/media/55d865_5f4f8c7c7e7a4937b34b3dc7bf44aa95~mv2.png/v1/fill/w_651,h_250,fp_0.50_0.50,q_35,blur_30,enc_avif,quality_auto/55d865_5f4f8c7c7e7a4937b34b3dc7bf44aa95~mv2.webp)
![Mad God (2021), Phil Tippett [3.5/5]](https://static.wixstatic.com/media/55d865_5f4f8c7c7e7a4937b34b3dc7bf44aa95~mv2.png/v1/fill/w_940,h_361,fp_0.50_0.50,q_95,enc_avif,quality_auto/55d865_5f4f8c7c7e7a4937b34b3dc7bf44aa95~mv2.webp)
![Five Easy Pieces (1970), Bob Rafelson [4.5/5]](https://static.wixstatic.com/media/55d865_acc04a023e1d47659f0c2772fc8bde31~mv2.png/v1/fill/w_572,h_250,fp_0.50_0.50,q_35,blur_30,enc_avif,quality_auto/55d865_acc04a023e1d47659f0c2772fc8bde31~mv2.webp)
![Five Easy Pieces (1970), Bob Rafelson [4.5/5]](https://static.wixstatic.com/media/55d865_acc04a023e1d47659f0c2772fc8bde31~mv2.png/v1/fill/w_940,h_411,fp_0.50_0.50,q_95,enc_avif,quality_auto/55d865_acc04a023e1d47659f0c2772fc8bde31~mv2.webp)










![The Rules of the Game (1939), Jean Renoir [5/5]](https://static.wixstatic.com/media/55d865_65e698ee9bb94e01b448ce16d5aa3a21~mv2.png/v1/fill/w_572,h_250,fp_0.50_0.50,q_35,blur_30,enc_avif,quality_auto/55d865_65e698ee9bb94e01b448ce16d5aa3a21~mv2.webp)
![The Rules of the Game (1939), Jean Renoir [5/5]](https://static.wixstatic.com/media/55d865_65e698ee9bb94e01b448ce16d5aa3a21~mv2.png/v1/fill/w_940,h_411,fp_0.50_0.50,q_95,enc_avif,quality_auto/55d865_65e698ee9bb94e01b448ce16d5aa3a21~mv2.webp)
![Pickpocket (1959), Robert Bresson [3.5/5]](https://static.wixstatic.com/media/55d865_63056c174f254aae8d79311ce8fb89d1~mv2.png/v1/fill/w_572,h_250,fp_0.50_0.50,q_35,blur_30,enc_avif,quality_auto/55d865_63056c174f254aae8d79311ce8fb89d1~mv2.webp)
![Pickpocket (1959), Robert Bresson [3.5/5]](https://static.wixstatic.com/media/55d865_63056c174f254aae8d79311ce8fb89d1~mv2.png/v1/fill/w_940,h_411,fp_0.50_0.50,q_95,enc_avif,quality_auto/55d865_63056c174f254aae8d79311ce8fb89d1~mv2.webp)
![Come and See (1985), Elem Klimov [5/5]](https://static.wixstatic.com/media/55d865_276468d4bdff4662a17cabba41e81a37~mv2.png/v1/fill/w_572,h_250,fp_0.50_0.50,q_35,blur_30,enc_avif,quality_auto/55d865_276468d4bdff4662a17cabba41e81a37~mv2.webp)
![Come and See (1985), Elem Klimov [5/5]](https://static.wixstatic.com/media/55d865_276468d4bdff4662a17cabba41e81a37~mv2.png/v1/fill/w_940,h_411,fp_0.50_0.50,q_95,enc_avif,quality_auto/55d865_276468d4bdff4662a17cabba41e81a37~mv2.webp)
![Ghost Dog, The Way of the Samurai (1999), Jim Jarmusch [4/5]](https://static.wixstatic.com/media/55d865_7218081f8ed748b1b1a1c4b259775ae5~mv2.png/v1/fill/w_572,h_250,fp_0.50_0.50,q_35,blur_30,enc_avif,quality_auto/55d865_7218081f8ed748b1b1a1c4b259775ae5~mv2.webp)
![Ghost Dog, The Way of the Samurai (1999), Jim Jarmusch [4/5]](https://static.wixstatic.com/media/55d865_7218081f8ed748b1b1a1c4b259775ae5~mv2.png/v1/fill/w_940,h_411,fp_0.50_0.50,q_95,enc_avif,quality_auto/55d865_7218081f8ed748b1b1a1c4b259775ae5~mv2.webp)
![Fitzcarraldo (1982), Werner Herzog [5/5]](https://static.wixstatic.com/media/55d865_3a2582ab84274bae90280bedfac4f306~mv2.png/v1/fill/w_572,h_250,fp_0.50_0.50,q_35,blur_30,enc_avif,quality_auto/55d865_3a2582ab84274bae90280bedfac4f306~mv2.webp)
![Fitzcarraldo (1982), Werner Herzog [5/5]](https://static.wixstatic.com/media/55d865_3a2582ab84274bae90280bedfac4f306~mv2.png/v1/fill/w_940,h_411,fp_0.50_0.50,q_95,enc_avif,quality_auto/55d865_3a2582ab84274bae90280bedfac4f306~mv2.webp)


![The United States of America (1975), Bette Gordon & James Benning [3.5/5]](https://static.wixstatic.com/media/55d865_6cc3c39cdfd54c97b3d4d7e6e4ea9e66~mv2.png/v1/fill/w_572,h_250,fp_0.50_0.50,q_35,blur_30,enc_avif,quality_auto/55d865_6cc3c39cdfd54c97b3d4d7e6e4ea9e66~mv2.webp)
![The United States of America (1975), Bette Gordon & James Benning [3.5/5]](https://static.wixstatic.com/media/55d865_6cc3c39cdfd54c97b3d4d7e6e4ea9e66~mv2.png/v1/fill/w_940,h_411,fp_0.50_0.50,q_95,enc_avif,quality_auto/55d865_6cc3c39cdfd54c97b3d4d7e6e4ea9e66~mv2.webp)