movie reviews + entertainment reporting
by Miles Stephenson
my taste in movies
I love the moody vérité style of Cassavetes, the minimalist noir of Jean-Pierre Melville, the epic scope of Lean, and that mix of post-60s hippie auteurs and film school movie brats that formed New Hollywood. For directors working today, I like Claire Denis, the Safdie Brothers, Paolo Sorrentino, Emma Seligman, David Cronenberg, Cristian Mungiu, Nicolas Winding Refn, Hong Sang-soo.
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At Columbia I took up media studies and cultural criticism. Here I was exposed to the great 20th C. cultural critics: Susan Sontag, Pauline Kael, Paul Schrader, Jonathan Rosenbaum, Robert B. Ray. Although I disagree with many of their takes, Sontag’s "Against Interpretation" formalism and Kael’s rejection of sappy moralism and eye for creative "trash" became the bedrock of my critical lens for movies.
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In 2022, I watched and reviewed a new movie every single day. I'm a writer and producer in TV now but log new movies + reviews often. The posts below fall into three categories: my quick takes, full film reviews, and essays. Read more on my Letterboxd: @msxviii
![Top Gun: Maverick (2022), Joseph Kosinski [4/5]](https://static.wixstatic.com/media/55d865_dc4c9f1c4ad344a1846bf5c79f74f835~mv2.png/v1/fill/w_251,h_250,fp_0.50_0.50,q_35,blur_30,enc_avif,quality_auto/55d865_dc4c9f1c4ad344a1846bf5c79f74f835~mv2.webp)
![Top Gun: Maverick (2022), Joseph Kosinski [4/5]](https://static.wixstatic.com/media/55d865_dc4c9f1c4ad344a1846bf5c79f74f835~mv2.png/v1/fill/w_492,h_491,fp_0.50_0.50,q_95,enc_avif,quality_auto/55d865_dc4c9f1c4ad344a1846bf5c79f74f835~mv2.webp)
![The French Dispatch (2021), Wes Anderson [3/5]](https://static.wixstatic.com/media/55d865_4f0ffbc3d74a4c33a07522804efcc08f~mv2.png/v1/fill/w_250,h_250,fp_0.50_0.50,q_35,blur_30,enc_avif,quality_auto/55d865_4f0ffbc3d74a4c33a07522804efcc08f~mv2.webp)
![The French Dispatch (2021), Wes Anderson [3/5]](https://static.wixstatic.com/media/55d865_4f0ffbc3d74a4c33a07522804efcc08f~mv2.png/v1/fill/w_491,h_491,fp_0.50_0.50,q_95,enc_avif,quality_auto/55d865_4f0ffbc3d74a4c33a07522804efcc08f~mv2.webp)
![Crimes of the Future (2022), David Cronenberg [4.5/5]](https://static.wixstatic.com/media/55d865_66be8b873a1c4ab6a30123346d441862~mv2.png/v1/fill/w_251,h_250,fp_0.50_0.50,q_35,blur_30,enc_avif,quality_auto/55d865_66be8b873a1c4ab6a30123346d441862~mv2.webp)
![Crimes of the Future (2022), David Cronenberg [4.5/5]](https://static.wixstatic.com/media/55d865_66be8b873a1c4ab6a30123346d441862~mv2.png/v1/fill/w_492,h_491,fp_0.50_0.50,q_95,enc_avif,quality_auto/55d865_66be8b873a1c4ab6a30123346d441862~mv2.webp)
![Mishima: A Life in Four Chapters (1985), Paul Schrader [4.5/5]](https://static.wixstatic.com/media/55d865_ea07b8d03fa34b1983a532347e00f3dd~mv2.png/v1/fill/w_250,h_250,fp_0.50_0.50,q_35,blur_30,enc_avif,quality_auto/55d865_ea07b8d03fa34b1983a532347e00f3dd~mv2.webp)
![Mishima: A Life in Four Chapters (1985), Paul Schrader [4.5/5]](https://static.wixstatic.com/media/55d865_ea07b8d03fa34b1983a532347e00f3dd~mv2.png/v1/fill/w_491,h_491,fp_0.50_0.50,q_95,enc_avif,quality_auto/55d865_ea07b8d03fa34b1983a532347e00f3dd~mv2.webp)
![Sans Soleil (1983), Chris Marker [5/5]](https://static.wixstatic.com/media/55d865_0210583db3ea4a61887e4a74c20035e0~mv2.png/v1/fill/w_251,h_250,fp_0.50_0.50,q_35,blur_30,enc_avif,quality_auto/55d865_0210583db3ea4a61887e4a74c20035e0~mv2.webp)
![Sans Soleil (1983), Chris Marker [5/5]](https://static.wixstatic.com/media/55d865_0210583db3ea4a61887e4a74c20035e0~mv2.png/v1/fill/w_492,h_491,fp_0.50_0.50,q_95,enc_avif,quality_auto/55d865_0210583db3ea4a61887e4a74c20035e0~mv2.webp)